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I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling.
I guess if you split the difference between the U.K. and the U.S., you would get Canada. But that's just due to proximity. Just because of distance, we get a lot more cultural spillover from America.
Cameras love pretty girls and craggy, old character men more than they can take craggy, old character women. But that's what's always happened. Work out how you can fit into it, and make that work. There are never going to be millions of parts for older actresses because there never were.
I do love my country. I don't think I'm particularly a good American. I don't know what makes a good American. Other than somebody who - I like people who let other people alone. I think that's a pretty good American. And I keep my hands to myself. So I'm an OK American.
In the long, nonillustrious history of white people pilfering African American culture, have I just perpetrated that? I'm motivated by a love for the music and by a love of the performances, and I really hope I haven't done anything bad.
I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday... that's something that really means a lot to me, and I know I'll have the chance to do it one day.
My fans are probably largely female; it wasn't until 'How to Make it in America' that guys started coming up to me: 'You're Bryan Greenberg.' 'Yeah... Don't hurt me. What do you want?' 'Love the show.'
I do love acting the two seconds that you are in front of the camera - and this is going to sound like I'm complaining, and I don't want that because I'm blessed to even have a job - but there is a lot of down-time when you're just sitting in your trailer.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
I love the holidays on 'The Middle' because I feel like I'm getting that very traditional American holiday experience that I never had growing up.
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