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Obviously, I love Japanese food. My favorite TV show of all time, without exception, is 'Iron Chef.' Not the stupid American version; 'Iron Chef' Japanese; the real one, the one that was on in Japan... my DVR for years was set to record almost every single 'Iron Chef' episode.
My parents, fleeing a repressive regime in the Dominican Republic, were embraced by this country and taught us to love it in return. After my father served proudly in the U.S. Army, they settled in Buffalo, N.Y., and were able to live the American Dream.
After having done this whole slew of press for 'Big Love', now I'll have anxiety dreams for like a week and a half about all the stupid things I said. I can't even imagine being in front of the cameras all the time. I had a weird dream the other night that I was on 'Jersey Shore.'
I joke to people in the press that I realize I'm not black, I'm actually white. But I've got these roots in black American music. I love it.
I can say without hesitation that there is certainly no greater show to be a contestant on than 'Price' - the prizes can be huge, and the whole world loves and watches the show. It's an American institution!
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
But honestly, it's pretty weird; there are girls who'd do absolutely everything just to get a backstage pass. I don't know what it is, but really, when you're on national TV in America the girls love you. They all want you! And I'm not complaining!
We Americans love original ideas. But truly, there are already plenty of good ones out there, ours for the taking. If I were too proud to copy the ideas of others, I likely wouldn't have even a fraction of my current success.
I loved 'Ghana Must Go' by Taiye Selasi. It's about a first-generation African family living in America that has to return home to Nigeria when their estranged father passes away.
I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling.
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