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I don't think American family sitcoms are mean. I guess I really love 'Arrested Development.' I guess they are quite mean in that, but that is also a very silly, surreal, absurd show as well, and it has got a heart as well.
I loved being asked 2,000 questions a day, storyboarding every move, knowing as though by instinct exactly where the camera had to be, because it was my story.
I really liked the food in Japan. There is something so organized, neat, and methodical about it. They put a lot of care and quality into their cooking. I also love Mediterranean, New American, and Italian food, because the cuisines borrow influences from all over the world.
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
I love American ski resorts because they're open to everyone, are not incredibly expensive. They're not snobby and you can have fun all day long on the most excellent mountains.
My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
When I was 12, I played the Artful Dodger in Cameron McKintosh's production of 'Oliver!' when it came to Toronto. Just getting the role shocked my whole family, and I don't think I realized until then just how much I loved getting up in front of people and performing.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
The 'low' quality of many American films, and of much American popular culture, induces many art lovers to support cultural protectionism. Few people wish to see the cultural diversity of the world disappear under a wave of American market dominance.
The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.
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