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I have become an American citizen, and I love this country. I think that this country has incredible potential for goodness, an incredible possibility for doing the wrong thing, too.
Looking back, I got the bed I wanted and I lay in it. I didn't want to go to America. If you want to join that world, you have to go and live there, and that was something I could not have done. I am very much about family. It doesn't matter where I live, but I feel very needful of my people around me. Besides, theatre is my first love.
It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
I came to Hollywood and I loved it. It was a great time, but in my head I was still elsewhere, in Europe. I believed in a certain cinema, which I still do believe in - a certain European cinema - and as a young woman being in America, I thought I was being taken away from that.
American naturalism is what my indulgent actor side loves: a bit of Tennessee Williams, a bit of Clifford Odets, August Wilson - I would just love to tackle some of that.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
The whole world loves American movies, blue jeans, jazz and rock and roll. It is probably a better way to get to know our country than by what politicians or airline commercials represent.
What if the invasion forces will not leave our lands? What if the U.S. forces and others stay in our beloved lands? What if their companies and embassy headquarters will continue to exist with the American flags hoisted on them? Will you be silent? Will you overlook this?
Muqtada Al Sadr
There was a sense of all the things that go on on the street, particularly in New York, that you are just completely unaware of, that that conversation could be happening at any time. I loved the instability of the camera. It's just an unstable world.
I was lucky that one of my first movies, 'One Million Years B.C.' was made in Europe by a British company. The Brits, and a lot of the rest of Europe, seemed to really love exotic women. The fact that I was American and exotic just made me more appealing to them.
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