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I love the 'Housewives.' I don't watch 'American Idol' or 'X Factor.' I guess I don't like network reality: I like my Bravo; I like documentary programming - I love 'Intervention' and some things on TLC more than others - but the 'Real Housewives' to me are really revolutionary, in terms of giving camera time to women of a certain age.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.
Edgar Allan Poe
I want to tell women that you need to love yourself and make yourself a priority. It's only when you are happy yourself, can you make everyone else around you happy. I am still a dreamer and still believe in fairy tales, but there is only that much one should give another person. You need to keep something for yourself.
I love Stephen Colbert and Jon Stewart because they're bringing irony back into American humor, which is a delicious treat. The entire Colbert persona of being extreme right-wing when he's not at all is highly amusing. He does it so well, but sometimes a little too well. My wife is convinced he's completely that way.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
I love English, though I now call it 'Anglo- American' because we no longer speak British English due to globalization and America's economic power.
When I was seven years old, I fell in love with a series published by Bobbs-Merrill called 'The Childhood of Famous Americans.' In it, historical figures like Clara Barton, Nancy Hanks, Elias Howe, Patrick Henry, and dozens more came to life for me as children.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
I joke to people in the press that I realize I'm not black, I'm actually white. But I've got these roots in black American music. I love it.
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