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The typical Western is kind of a good-guy/bad-guy thing, and that's great, but initially when I heard about 'Into the West,' and what I love about it is it delves into both sides of our cultural past, and it puts more of a human face on the Native Americans.
It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
But to make a holiday record that involves favorite American songs and then also get to sing about Jesus birth, it just seemed like a real easy, subtle way to combine a couple of things that I love.
When we were 15, my girlfriend Ruth Kaplan and I applied to the Universidad Ibero-Americana in Mexico City. We were accepted into a program that placed us with a lovely Mexican family. We lived with them for six weeks while studying Spanish poetry and Mexican anthropology.
Mary Doria Russell
There's an appetite for vigour in films. The camera loves a bit of movement. Movement is usually attached to younger people and men, and that's just the way it is. I think that it's a bitter pill to swallow, but it's a fact that there aren't going to be masses and masses of roles for older women because there isn't the audience for it.
A quarter of America is a dramatic, tense, violent country, exploding with contradictions, full of brutal, physiological vitality, and that is the America that I have really loved and love. But a good half of it is a country of boredom, emptiness, monotony, brainless production, and brainless consumption, and this is the American inferno.
Aging on camera is just very hard. I love my age. I feel good about myself but high definition television is not kind. You don't even look like yourself in high-def. It just makes every little line on your face more exaggerated so it ends up aging you. It's like you're watching yourself seven years older.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
I love the English way, which is not as capitalistic as it is in America. People don't talk about work and money. They talk about interesting things at dinner parties.
I remember when we first bought Teleflora, I made a very expensive mistake when I produced a brochure with the slogan, 'The way America sends love.' The bouquets and prices I pictured could not be duplicated by the florist - they were too expensive. I had relied on people I thought were in touch with the marketplace.
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