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I definitely love 'Camelot.' It's my favorite show. I'm a big 'True Blood' fan. I love 'American Idol,' and I love my girl J-Lo. The rest are my homework shows: 'Forensic Files,' 'Dr. G. Medical Examiner,' 'The First 48.'
I have played Blair Cramer for 20 years, I feel a personal investment in the success of 'One Life to Live.' I love the show, I'm a fan of the characters, and I have invested in the journey these fictional characters have traveled.
I love Forever 21. A friend of mine introduced it to me when I was in New York. I was borrowing a dress and said, 'Where's that from?' and she said, 'Oh, it's Forever 21,' and I said, 'What, I've never heard of that!' and she said, 'Oh it's this American brand,' and I thought, 'Why doesn't England have that; why doesn't Europe have one?'
Amber Le Bon
America saw me as a projection of me that I always wanted. That's why I love going to America so much. I feel like I started off in America exactly how I wanted to start everywhere.
I love the incredible variety of demands directing makes on you, from the entrepreneur to the hustler to the deal-maker to the writer; to directing actors and the camera and working with music, sound, marketing and promotion. It uses so many sides of your brain.
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
Foreigners have a complex set of associations in their minds when they think of America - from Iraq to 9/11, certainly, but also from Coke to jeans. It is entirely possible for people around the world to love American products, American books, American movies, American music, and dislike the policies of the government of America.
Of course, I love chats with various actors about the process and how they do it. To me, if it's not on the camera, if it's not there, it's not worth it. It really just isn't worth it.
I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.
I love the English way, which is not as capitalistic as it is in America. People don't talk about work and money. They talk about interesting things at dinner parties.
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