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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
The crisis of democracy in the West is not the result of falling in love with another system. In Europe and America people who are disillusioned with democracy do not dream about the Chinese model or any other form of authoritarian rule. They do not dream about government that controls Internet and puts in prison those daring to disagree.
I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip.
Before I lived in America, my husband and I did a Californian road trip. We took a month, starting off in L.A. I love the landscapes of California: one moment you're in the desert, the next you're up in the Napa Valley or by the water in Big Bear.
I try to find the core values that are so fundamental that they transcend ethnic identity. That doesn't mean I run from it. I embrace African-American culture and I love it and embrace it, but it is a part of a human identity. So I'm always trying to make a larger human statement.
Truth is, we offered it to Tom Hanks, which pretty much every movie in America does, but Tom passed. Billy Bob said that Hanks recently called and said he's voting for all of us for Oscars, he loved the film.
What if the invasion forces will not leave our lands? What if the U.S. forces and others stay in our beloved lands? What if their companies and embassy headquarters will continue to exist with the American flags hoisted on them? Will you be silent? Will you overlook this?
Muqtada Al Sadr
I am more than proud to be European. I love Europe, I love France, but I have an American mentality, and I don't know why. The way I see things, the way I talk, I'm the kind of person who, if I want to say something, I will say it - sometimes in Europe, it's not always what you need to do.
It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
The Americans all love 'The Holy Grail', and the English all love 'Life Of Brian', and I'm afraid on this one, I side with the English.
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