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Because of my parents' love of democracy, we came to America after being driven twice from our home in Czechoslovakia - first by Hitler and then by Stalin.
I completely love playing and designing games and always will. I am so into games that I listen to game music all day. That may sound strange, but you can guarantee I'm a hardcore gamer and would never let you down by designing a crappy title.
If you don't have any ties to the music industry, you just love 'American Idol,' you can sit there and do exactly what you do in your living room, which is stare at them and judge them.
Neil Patrick Harris
Montanans believe in the right to make a good life for their families. How they define a family should be their business and their business alone. I'm proud to support marriage equality because no one should be able to tell a Montanan or any American who they can love and who they can marry.
We, as Americans, at least - I mean, I love my country - but we're so self-righteous sometimes, in terms of, like, our nationality, our country. But we're people from somewhere else; the true 'Americans' are the original peoples. It's funny, but we're a very territorial species.
Bonnaroo has kind of become the granddaddy of all American festivals. The thing I love about it most is that it wasn't born out of picking the top ten bands off the Billboard chart and creating a festival around it.
I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip.
I don't think American family sitcoms are mean. I guess I really love 'Arrested Development.' I guess they are quite mean in that, but that is also a very silly, surreal, absurd show as well, and it has got a heart as well.
I love 'Robot Chicken,' 'The Boondocks' and 'America's Funniest Home Videos.' Then there's this show called 'The First 48.' It's a documentary about killings where they try and find murderers. They interrogate people and they tell on each other - it's hilarious.
It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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