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It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
I think of my father and how confused he was by me. He understood my love for theater, and he understood that New York City was the only place that it was happening in America, really, in any live way.
I love what I do. I love to capture the guy. I love to tell the victim 'Don't worry anymore. They're in jail.' And this is my way to heaven. This is my way to contribute to America what I know how to do best, and that's chase down the predator.
My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.
Even with a stable character, you want something surprising to happen, hopefully because that's what the camera loves the most. That's what is great about film.
The beauty of America is that I don't have to deny my past to affirm my present. No one does. We can love this nation like a parent and still embrace our ancestral home like cherished grandparents.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I'm really proud of being part of that whole geek/chic, girl nerds, glasses are sexy and all of that because I think it's true. In America, I don't know about in other places, but there is this mythology about the way a woman is supposed to be and look and act and that's what makes them sexy. And I love being the alternative to that.
I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
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