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When I was seven years old, I fell in love with a series published by Bobbs-Merrill called 'The Childhood of Famous Americans.' In it, historical figures like Clara Barton, Nancy Hanks, Elias Howe, Patrick Henry, and dozens more came to life for me as children.
I loved 'Ghana Must Go' by Taiye Selasi. It's about a first-generation African family living in America that has to return home to Nigeria when their estranged father passes away.
In America, celebrities who go to see your show will come backstage and introduce themselves. Meeting Annette Bening and Ethan Hawke that way was amazing, but when Tom Hanks came, it was really special - I've loved him since I first saw him in 'Big!'
We have an idea that we Americans are God's chosen people, that God loves us more than any other people, and that we are God's blessed. I tell you that God doesn't love us any more than He does the Russians.
I love improvisation. You can't blame it on the writers. You can't blame it on direction. You can't blame it on the camera guy... It's you. You're on. You've got to do it, and you either sink or swim with what you've got.
Since first hearing the story as a child, any mention of the 'Boston Tea Party' has elicited in me an excitement that is uniquely American. When I heard rumblings that there was a new Tea Party, I got goose bumps. I love tea, I love parties, I hate taxes; I'm in! It seemed that most of America joined in my excitement!
Obviously, I love Japanese food. My favorite TV show of all time, without exception, is 'Iron Chef.' Not the stupid American version; 'Iron Chef' Japanese; the real one, the one that was on in Japan... my DVR for years was set to record almost every single 'Iron Chef' episode.
Because of the love affair between the American public and the stock market, it is possible for entrepreneurs, technological visionaries and inventors of every sort to get financing.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
Aging on camera is just very hard. I love my age. I feel good about myself but high definition television is not kind. You don't even look like yourself in high-def. It just makes every little line on your face more exaggerated so it ends up aging you. It's like you're watching yourself seven years older.
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