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I fell in love with Erica Kane the summer before my freshman year of high school. Like all red-blooded teen American boys, I'd come home from water polo practice and eat a box of Entenmann's Pop'Ems donut holes in front of the TV while obsessively fawning over 'All My Children' and Erica, her clothes, and her narcissistic attitude.
As an American, and especially as a Christian, I am convinced that a love for our own people is not a bad thing, but love doesn't stop at borders. Love is infinitely boundless and all about holy trespassing and offensive friendships.
I speak pretty fluent American, though I do so with a strong British accent, and I love America: The scale and the variety of it are astonishing to someone not born there, and I'm convinced that its energy and generosity have somehow rubbed off on me and affected my writing. For the better.
I love the idea I can go off with a single camera and a few rolls of film unencumbered... I was not interested in the illusion of reality, I wanted to get close to what was happening.
For 70 nights, right across America, I've been getting out there with two ex-lovers and we've been playing songs which are so specific about each of us, you just wouldn't know. We're friends now but we can't forget what happened between us.
There is that lovely feeling of one reader telling another, 'You must read this.' I've always wanted to write a book like that, with the sense that you are contributing to the discourse in middle America, a discourse that begins at a book club in a living room, but then spreads. That is meaningful to me.
I love New York. I was in New York at the age of 13, at the School of American Ballet, walking around the subways in my little bunhead and thinking I was so cool.
I love Forever 21. A friend of mine introduced it to me when I was in New York. I was borrowing a dress and said, 'Where's that from?' and she said, 'Oh, it's Forever 21,' and I said, 'What, I've never heard of that!' and she said, 'Oh it's this American brand,' and I thought, 'Why doesn't England have that; why doesn't Europe have one?'
Amber Le Bon
I don't think American family sitcoms are mean. I guess I really love 'Arrested Development.' I guess they are quite mean in that, but that is also a very silly, surreal, absurd show as well, and it has got a heart as well.
You always hear actresses talk about how unromantic it is to act a love scene or a sex scene - which it is. You're doing it with all these lights on and cameras flying around and people on the set.
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