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Growing up, I remember my parents feeling a little wary of 'The Simpsons.' This was the late eighties, and there was a wave of articles about TV shows that were bad for America. Then we all started watching it and loved it.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
I was lucky that one of my first movies, 'One Million Years B.C.' was made in Europe by a British company. The Brits, and a lot of the rest of Europe, seemed to really love exotic women. The fact that I was American and exotic just made me more appealing to them.
I came to Hollywood and I loved it. It was a great time, but in my head I was still elsewhere, in Europe. I believed in a certain cinema, which I still do believe in - a certain European cinema - and as a young woman being in America, I thought I was being taken away from that.
We certainly love the Muslim people. But that is not the faith of this country. And that is not the religion that built this nation. The people of the Christian faith and the Jewish faith are the ones who built America, and it is not Islam.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.
I have to be the only person in America who had a doctor say to him, 'Please don't put any more surgical gloves on your head and inflate them.'
I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.
'The Week' is my favourite magazine. Everyone from presidents to CEOs of companies love it, politicians, people in the massive charity business in America, in the arts and even more especially in the media.
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